Michael Kimmelman: Not-so-newbie

Michael Kimmelman in Berlin

Kimmelman in Berlin

Michael Kimmelman seems to have entered his new post as the architectural critic at The New York Times with the same wonderment-flecked eyes you can spot on first-year students climbing Rudolph Hall’s steps each fall. As a musician, trained art historian, and cultural journalist embarking on an architectural education, his position is not so far removed from the mixed bag of students he addressed at the Yale School of Architecture recently. (He was speaking to the first professional degree students from backgrounds as diverse as biochemistry and anthropology.) Like the students whose very diversity is that which makes them valuable contributors to collegiate conversation, Kimmelman will have to hold on to his unique position even as he navigates a new field. And like the critic confesses, perhaps students should “hope to ask some stupid questions.”

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Politics and the City

shanghai_expo

Image: Shanghai Expo

Imagine the bubble architecture students find themselves trapped in while pursuing higher education: long hours cradling a mouse demote food and sleep, much less investigations of non-disciplinary theory. How wonderful, then, that the Roth-Symonds Memorial Lecture Fund supports lectures and small-group meetings to expose Yale School of Architecture students to speakers outside architecture; past lecturers have included sociologist Loic Wacquant, urbanist Saskia Sassen, and media and cultural theorist Thomas Y. Levin. This spring, Neil Smith, distinguished professor of anthropology and geography at CUNY, delivered “Toxic Capitalism: Neoliberalism, City Building and Crisis.”

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